the songs date back to 2006/2007 published by the proposed split in this Hypershape Records, which is no stranger to collaborations of great quality [note the split S elf Human Combustion & Viscera / / / , for example]. At this time we support each The Drop Machine and Quiet In The Cave: the first were born as a side project of the same Viscera / / / , while the latter are related to the project through Malfeitor Munholy [guitar + voice], and it shows.
I will never stop writing that post-rock is so a kind of a thousand variations, but in the end, the bands that you find yourself listening to do nothing but stir and repeat always the same compositions. Fortunately for us this is not the case of The Drop Machine : they have everything from the insistent rhythmic dynamism strenuous, not to mention the mature songwriting and original. The atmosphere created by the band is full-bodied, firm but especially light, full of situations in which the sound is allowed to flow in an evolutionary path disconnected but elegant, free to expand in a particularly broad spectrum of melodies. Four pieces by the strong effect, able to enchant the listener thanks to the ongoing clash of guitars [in nothing short of sublime " Take It All" and "German Warehouse" ] that end up more often culminate in ecstatic final solutions. The post-rock of The Drop Machine is the kind of abnormal, characterized by a well-grafted vein in the context of psychedelic instrumental, listening to complete, is extremely varied and never static in its development.
Quiet In The Cave is a project that has little to do with the counterpart of the split, if not for the ethereal atmosferic they both can evoke. If "Into The Deep" looks almost like an intro in minutes from diluted samples and synth, "Breathe" sports instead of the black side of the group, where they are mixed voice and riffing with black fillers effects vaguely post-rock. "ionospheres" and "Stalker" are like a long journey sidereal, where the only landmark is the harmony emanating from the stars, beautifully represented by a set of effects that I would say close to perfection. The Quiet In The Cave of the tracks are a great mix of soft sounds and something darker, claustrophobic in any way [yet "Breathe" ] and extremely fascinating. The conclusion is obvious: this is split out to be a little gem that absolutely must give at least a listen. Hurry.
I will never stop writing that post-rock is so a kind of a thousand variations, but in the end, the bands that you find yourself listening to do nothing but stir and repeat always the same compositions. Fortunately for us this is not the case of The Drop Machine : they have everything from the insistent rhythmic dynamism strenuous, not to mention the mature songwriting and original. The atmosphere created by the band is full-bodied, firm but especially light, full of situations in which the sound is allowed to flow in an evolutionary path disconnected but elegant, free to expand in a particularly broad spectrum of melodies. Four pieces by the strong effect, able to enchant the listener thanks to the ongoing clash of guitars [in nothing short of sublime " Take It All" and "German Warehouse" ] that end up more often culminate in ecstatic final solutions. The post-rock of The Drop Machine is the kind of abnormal, characterized by a well-grafted vein in the context of psychedelic instrumental, listening to complete, is extremely varied and never static in its development.
Quiet In The Cave is a project that has little to do with the counterpart of the split, if not for the ethereal atmosferic they both can evoke. If "Into The Deep" looks almost like an intro in minutes from diluted samples and synth, "Breathe" sports instead of the black side of the group, where they are mixed voice and riffing with black fillers effects vaguely post-rock. "ionospheres" and "Stalker" are like a long journey sidereal, where the only landmark is the harmony emanating from the stars, beautifully represented by a set of effects that I would say close to perfection. The Quiet In The Cave of the tracks are a great mix of soft sounds and something darker, claustrophobic in any way [yet "Breathe" ] and extremely fascinating. The conclusion is obvious: this is split out to be a little gem that absolutely must give at least a listen. Hurry.
NOTES
Special thanks to Mike Hypershape for availability. Some links:
Hypershape Records @ Myspace
The Drop Machine @ MySpace
Quiet In The Cave @ Myspace
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